{"id":2213,"date":"2021-06-28T19:06:39","date_gmt":"2021-06-28T17:06:39","guid":{"rendered":"https:\/\/labkontempo.com\/fr\/?page_id=2213"},"modified":"2021-06-30T19:29:14","modified_gmt":"2021-06-30T17:29:14","slug":"appel-a-candidature","status":"publish","type":"page","link":"https:\/\/2020.labkontempo.com\/fr\/appel-a-candidature\/","title":{"rendered":"Appel \u00e0 candidatures"},"content":{"rendered":"\n<p style=\"font-size:28px\"><strong>Laboratoire Kontempo&nbsp;2021&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\">\u00ab Kontempo \u00bb est un n\u00e9ologisme qui a \u00e9merg\u00e9 dans la sc\u00e8ne artistique ind\u00e9pendante de Kinshasa, au matin des ann\u00e9es 2000, en contre-narration du discours acad\u00e9mique et de l&rsquo;influence occidental de l\u2019art. \u00ab Kontempo \u00bb s\u2019est impos\u00e9 comme un nouveau code et une r\u00e9interpr\u00e9tation du terme \u00ab Art contemporain \u00bb, \u00e0 Kinshasa.<br><\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\">Le th\u00e8me de cette \u00e9dition :              <\/p>\n\n\n\n<p class=\"has-custom-weight has-custom-lineheight\" style=\"line-height:1;font-weight:bold;font-size:21px\">KINZONZI<br>R\u00e9investir les perspectives<\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\">En RD Congo, surtout dans la r\u00e9gion de l\u2019ouest, \u00ab Kinzonzi \u00bb en kikongo, l\u2019une des langues<br>nationales, renvoie \u00e0 une r\u00e9union invoquant des pratiques coutumi\u00e8res et traditionnelles codifi\u00e9es<br>depuis des lustres et quelque peu adapt\u00e9es \u00e0 la modernit\u00e9 ambiante. Cette <em>\u00ab proc\u00e9dure,<br>commun\u00e9ment appel\u00e9e la palabre africaine, est un outil pr\u00e9cieux pour mener \u00e0 bien les<br>n\u00e9gociations familiales ou soci\u00e9tales que ce soit au Congo ou en Afrique en g\u00e9n\u00e9ral \u00bb (1 ).<\/em><br>Le <strong>Laboratoire Kontempo 2021\/22 <\/strong>interpr\u00e8te le terme <strong>\u00ab Kinzonzi \u00bb<\/strong> selon la culture populaire<br>actuelle de Kinshasa dans le sens du complot, de concertation, d&rsquo;un espace d&rsquo;interactions n\u00e9cessaires<br>pour interroger l&rsquo;Imaginaire, le fondement de nos futures et de nos r\u00e9alit\u00e9s contemporaines.<\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\">Les participant.es sont invit\u00e9es \u00e0 r\u00e9investir les perspectives li\u00e9es \u00e0 la production artistique du<br>continent africain et de remettre en question les r\u00e9alit\u00e9s (post)coloniales et leurs dynamiques de<br>pouvoir ; les hi\u00e9rarchies \u00e9pist\u00e9miques, linguistiques et intellectuelles et les tendances dominantes<br>des sc\u00e8nes artistiques contemporaines internationales.<\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\">Le projet r\u00e9unira des artistes, des sp\u00e9cialistes, des chercheurs et chercheuses, ainsi que des<br>th\u00e9oriciens et th\u00e9oriciennes de Kinshasa, de Berlin et d\u2019autres cieux ; dans un espace exp\u00e9rimental,<br>transdisciplinaire analogue et num\u00e9rique pour relater, scruter les diverses perspectives existantes<br>autour de la notion du \u00ab contemporain \u00bb. Nous sonderons la notion de point de vue et la possibilit\u00e9<br>des violences dans la construction de l\u2019alt\u00e9rit\u00e9. Ce questionnement sur des perspectives, impos\u00e9es<br>sur la production artistique congolaise, est une mani\u00e8re de se r\u00e9approprier l\u2019interpr\u00e9tation et les<br>discours artistiques. <\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\">R\u00e9investir les perspectives veut dire aussi explorer le futur en pratiquant de nouveaux imaginaires et<br>en inventant de nouveaux paradigmes, aussi chim\u00e9riques soient-ils.<\/p>\n\n\n\n<p class=\"has-custom-lineheight mb-0 pb-0 mt-0 pt-0\" style=\"line-height:1.37;font-size:14px\">Nous invitons les artistes, chercheurs ou chercheuses, th\u00e9oriciens ou th\u00e9oriciennes, ainsi que les<br>professionnels ou professionnelles du monde de l\u2019art \u00e0 proposer leurs projets pour l\u2019\u00e9dition<br><strong>Laboratoire Kontempo 2021\/22 \u2014 Kinzoni<\/strong>. Les personnes int\u00e9ress\u00e9es doivent envoyer une esquisse<br>d\u2019un projet qu\u2019elles aimeraient bien r\u00e9aliser pendant la p\u00e9riode de r\u00e9sidence artistique \u00e0 Kinshasa.<\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\"><strong>Comment postuler ?<\/strong><br>Personnes admissibles : Artistes, chercheuses et chercheurs, th\u00e9oriciennes et th\u00e9oriciens,<br>professionnelles et professionnels ; vivant et travaillant en RDC (les projets collectifs sont les<br>bienvenus) .<\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\"><strong>Disciplines : <\/strong>Arts visuels et sonores, multim\u00e9dia, num\u00e9rique, performance, vid\u00e9o, litt\u00e9rature,<br>critique d\u2019art, sciences, design, danse, architecture, informatique, etc.<\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\">L\u2019appel \u00e0 candidatures pour la participation des artistes est ouvert jusqu\u2019au<strong> 26 juillet 2021<\/strong>. <\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\"><strong>Les candidats doivent soumettre les documents suivants, par e-mail :<\/strong><br>&#8211; Un curriculum vitae et un portfolio \u00e0 jour ;<br>&#8211; L\u2019esquisse d\u2019une proposition d\u2019un projet, in\u00e9dit ou existant, en format PDF, maximum 3<br>pages, en lien avec KINZONZI : R\u00e9investir les perspectives;<br>&#8211; Une description sur la possibilit\u00e9 d\u2019une pr\u00e9sentation physique de l\u2019oeuvre dans une<br>exposition ; aussi sous format num\u00e9rique, dans le cadre d\u2019une exposition virtuelle ;<br>&#8211; Une courte vid\u00e9o d\u2019un maximum de 3 minutes pour d\u00e9crire la motivation de votre<br>participation et ce que le th\u00e8me de l\u2019ann\u00e9e vous inspire (la vid\u00e9o peut \u00eatre faite avec un<br>t\u00e9l\u00e9phone).<\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\"><strong>Pour postuler, envoyez le dossier COMPLET dans UN SEUL DOSSIER par WeTransfer \u00e0 :<br>laboratoirekontempo@gmail.com<\/strong><\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\"><strong>Calendrier :<\/strong><br><strong>Ao\u00fbt \u2014 septembre 2021 :<\/strong> R\u00e9sidences artistiques \u00e0 Kinshasa<br><strong>Octobre 2021 : <\/strong>                    Exposition \u00e0 Kinshasa et en ligne<br><strong>Mai\/avril 2022 <\/strong>:                   Exposition des oeuvres \u00e0 ACUD-Berlin<\/p>\n\n\n\n<p class=\"has-custom-lineheight\" style=\"line-height:1.37;font-size:14px\"><strong>Un jury se r\u00e9unira pour retenir les projets artistiques qui b\u00e9n\u00e9ficieront d&rsquo;un frais de<br>production de 900 \u20ac.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-coblocks-highlight\"><mark class=\"wp-block-coblocks-highlight__content\"><a href=\"https:\/\/labkontempo.com\/fr\/note-dintention-2021\/\" target=\"_blank\" rel=\"noreferrer noopener\">Note d&rsquo;intention 2021<\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/labkontempo.com\/fr\/note-dintention-2021\/?preview_id=2216&#038;preview_nonce=8f3c15dda7&#038;preview=true\" target=\"_blank\"> <\/a><\/mark><\/p>\n\n\n\n<p style=\"font-size:9px\">  <\/p>\n\n\n\n<p style=\"font-size:9px\">___________________<\/p>\n\n\n\n<p style=\"font-size:9px\">1: Voir Thomas Muan\u2019Ambuta Ndongalasia, Kinzonzi l\u2019art de traiter les probl\u00e8mes par la sagesse<br>Kongo(kikongo-lingala-fran\u00e7ais), Bruxelles, Mabiki, 2008 <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laboratoire Kontempo&nbsp;2021&nbsp; \u00ab Kontempo \u00bb est un n\u00e9ologisme qui a \u00e9merg\u00e9 dans la sc\u00e8ne artistique ind\u00e9pendante de Kinshasa, au matin des ann\u00e9es 2000, en contre-narration du discours acad\u00e9mique et de l&rsquo;influence occidental de l\u2019art. \u00ab Kontempo \u00bb s\u2019est impos\u00e9 comme un nouveau code et une r\u00e9interpr\u00e9tation du terme \u00ab Art contemporain \u00bb, \u00e0 Kinshasa. Le [&hellip;]<\/p>\n<a class=\"read-more-link\" title=\"Appel \u00e0 candidatures\" href=\" https:\/\/2020.labkontempo.com\/fr\/appel-a-candidature\/ \">Read more <span class=\"screen-reader-text\">\"Appel \u00e0 candidatures\"<\/span><\/a>","protected":false},"author":104559219,"featured_media":2250,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","ngg_post_thumbnail":0,"_starter_page_template":"blank"},"uagb_featured_image_src":{"full":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1.jpg",851,312,false],"thumbnail":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-100x100.jpg",100,100,true],"medium":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-221x81.jpg",221,81,true],"medium_large":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-768x282.jpg",768,282,true],"large":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-524x192.jpg",524,192,true],"1536x1536":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1.jpg",851,312,false],"2048x2048":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1.jpg",851,312,false],"newspack-article-block-landscape-large":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1.jpg",851,312,false],"newspack-article-block-portrait-large":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1.jpg",851,312,false],"newspack-article-block-square-large":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1.jpg",851,312,false],"newspack-article-block-landscape-medium":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-800x312.jpg",800,312,true],"newspack-article-block-portrait-medium":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-600x312.jpg",600,312,true],"newspack-article-block-square-medium":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-800x312.jpg",800,312,true],"newspack-article-block-landscape-small":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-400x300.jpg",400,300,true],"newspack-article-block-portrait-small":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-300x312.jpg",300,312,true],"newspack-article-block-square-small":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-400x312.jpg",400,312,true],"newspack-article-block-landscape-tiny":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-200x150.jpg",200,150,true],"newspack-article-block-portrait-tiny":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-150x200.jpg",150,200,true],"newspack-article-block-square-tiny":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-200x200.jpg",200,200,true],"newspack-article-block-uncropped":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1.jpg",851,312,false],"eris-archive-image":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1.jpg",851,312,false],"eris-archive-image-portrait":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-550x202.jpg",550,202,true],"eris-search-image":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-160x59.jpg",160,59,true],"woocommerce_thumbnail":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-300x300.jpg",300,300,true],"woocommerce_single":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-600x220.jpg",600,220,true],"woocommerce_gallery_thumbnail":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-100x100.jpg",100,100,true],"shop_catalog":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106901084479929_9032500740550214073_n-1-300x300.jpg",300,300,true],"shop_single":["https:\/\/2020.labkontempo.com\/wp-content\/uploads\/2021\/06\/118765955_106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Kontempo&nbsp;2021&nbsp; \u00ab Kontempo \u00bb est un n\u00e9ologisme qui a \u00e9merg\u00e9 dans la sc\u00e8ne artistique ind\u00e9pendante de Kinshasa, au matin des ann\u00e9es 2000, en contre-narration du discours acad\u00e9mique et de l&rsquo;influence occidental de l\u2019art. \u00ab Kontempo \u00bb s\u2019est impos\u00e9 comme un nouveau code et une r\u00e9interpr\u00e9tation du terme \u00ab Art contemporain \u00bb, \u00e0 Kinshasa. Le\u2026","_links":{"self":[{"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/pages\/2213"}],"collection":[{"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/users\/104559219"}],"replies":[{"embeddable":true,"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/comments?post=2213"}],"version-history":[{"count":21,"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/pages\/2213\/revisions"}],"predecessor-version":[{"id":2257,"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/pages\/2213\/revisions\/2257"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/media\/2250"}],"wp:attachment":[{"href":"https:\/\/2020.labkontempo.com\/fr\/wp-json\/wp\/v2\/media?parent=2213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}